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NIGHT AND DAY
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“Ah—I half wish I’d called you Mary, but it wouldn’t have gone with Hilbery, and it wouldn’t have gone with Rodney. Now this isn’t the passage I wanted. (I never can find what I want.) But it’s spring; it’s the daffodils; it’s the green fields; it’s the birds.”

She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room.

“My dear child, how odious the triumphs of science are!” Mrs. Hilbery exclaimed on her return. “They’ll be linking us with the moon next—but who was that?”

“William,” Katharine replied yet more briefly.

“I'll forgive William anything, for I’m certain that there aren’t any Williams in the moon. I hope he’s coming to luncheon?”

“He’s coming to tea.”

“Well, that’s better than nothing, and I promise to leave you alone.”

“There’s no need for you to do that,” said Katharine.

She swept her hand over the faded sheet, and drew herself up squarely to the table as if she refused to waste time any longer. The gesture was not lost upon her mother. It hinted at the existence of something stern and unapproachable in her daughter’s character, which struck chill upon her, as the sight of poverty, or drunkenness, or the logic with which Mr. Hilbery sometimes thought good to demolish her certainty of an approaching millennium struck chill upon her. She went back to her own table, and putting on her spectacles with a curious expression of quiet humility, addressed herself for the first time that morning to the task before her. The shock with an unsympathetic world had a sobering effect on her. For once, her industry surpassed her daughter’s. Katharine could not reduce the world to that particular perspective in which Harriet Martineau, for instance, was a figure of solid importance, and possessed of a genuine relationship to this figure or to that date. Singu-