The sternness with which this was said suggested that to bring Aunt Celia upstairs was, for some reason, a disciplinary measure.
“For goodness’ sake, Katharine,” Cassandra exclaimed, jumping from her chair and showing signs of agitation, “don’t be rash. Don’t let her suspect. Remember, nothing’s certain———”
Katharine assured her by nodding her head several times, but the manner in which she left the room was not calculated to inspire complete confidence in her diplomacy.
Mrs. Milvain was sitting, or rather perching, upon the edge of a chair in the servants’ room. Whether there was any sound reason for her choice of a subterranean chamber, or whether it corresponded with the spirit of her quest, Mrs. Milvain invariably came in by the back door and sat in the servants’ room when she was engaged in confidential family transactions. The ostensible reason she gave was that neither Mr. nor Mrs. Hilbery should be disturbed. But, in truth, Mrs. Milvain depended even more than most elderly women of her generation upon the delicious emotions of intimacy, agony, and secrecy, and the additional thrill provided by the basement was one not to be lightly forfeited. She protested almost plaintively when Katharine proposed to go upstairs.
“I’ve something that I want to say to you in private,” she said, hesitating reluctantly upon the threshold of her ambush.
“The drawing-room is empty———”
“But we might meet your mother upon the stairs. We might disturb your father,” Mrs. Milvain objected, taking the precaution to speak in a whisper already.
But as Katharine’s presence was absolutely necessary to the success of the interview, and as Katharine obstinately receded up the kitchen stairs, Mrs. Milvain had no course but to follow her. She glanced furtively about her as she proceeded upstairs, drew her skirts together, and
