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NIGHT AND DAY

hesitated the door opened and William Rodney came in. He carried in his hand an enormous and splendid bunch of white and purple flowers, and, either not seeing Mrs. Milvain, or disregarding her, he advanced straight to Katharine, and presented the flowers with the words:

“These are for you, Katharine.”

Katharine took them with a glance that Mrs. Milvain did not fail to intercept. But with all her experience, she did not know what to make of it. She watched anxiously for further illumination. William greeted her without obvious sign of guilt, and, explaining that he had a holiday, both he and Katharine seemed to take it for granted that his holiday should be celebrated with flowers and spent in Cheyne Walk. A pause followed; that, too, was natural; and Mrs. Milvain began to feel that she laid herself open to a charge of selfishness if she stayed. The mere presence of a young man had altered her disposition curiously, and filled her with a desire for a scene which should end in an emotional forgiveness. She would have given much to clasp both nephew and niece in her arms. But she could not flatter herself that any hope of the customary exaltation remained.

“I must go,” she said, and she was conscious of an extreme flatness of spirit.

Neither of them said anything to stop her. William politely escorted her downstairs, and somehow, amongst her protests and embarrassments, Mrs. Milvain forgot to say good-bye to Katharine. She departed, murmuring words about masses of flowers and a drawing-room always beautiful even in the depths of winter.

Wilham came back to Katharine; he found her standing where he had left her.

“I’ve come to be forgiven,” he said. “Our quarrel was perfectly hateful to me. I’ve not slept all night. You're not angry with me, are you, Katharine?”

She could not bring herself to answer him until she had