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NIGHT AND DAY

Leaving her daughter to cogitate the theory of Anne Hathaway’s sonnets, and the buried manuscripts here referred to, with the implied menace to the safety of, the heart of civilization itself, she briskly shut the door of her taxi-cab, and was whirled off upon the first stage of her pilgrimage.

The house was oddly different without her. Katharine found the maids already in possession of her room, which they meant to clean thoroughly during her absence. To Katharine it seemed as if they had brushed away sixty years or so with the first flick of their damp dusters. It seemed to her that the work she had tried to do in that room was being swept into a very insignificant heap of dust. The china shepherdesses were already shining from a bath of hot water. The writing-table might have belonged to a professional man of methodical habits.

Gathering together a few papers upon which she was at work, Katharine proceeded to her own room with the intention of looking through them, perhaps, in the course of the morning. But she was met on the stairs by Cassandra, who followed her up, but with such intervals between each step that Katharine began to feel her purpose dwindling before they had reached the door. Cassandra leant over the banisters, and looked down upon the Persian rug that lay on the floor of the hall.

“Doesn’t everything look odd this morning?” she inquired. “Are you really going to spend the morning with those dull old letters, because if so———”

The dull old letters, which would have turned the heads of the most sober of collectors, were laid upon a table, and, after a moment’s pause, Cassandra, looking grave all of a sudden, asked Katharine where she should find the “History of England” by Lord Macaulay. It was downstairs in Mr. Hilbery’s study. The cousins descended together in search of it. They diverged into the drawing-room for the good reason that the door was