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NIGHT AND DAY

tufted and garlanded in the stalls, decorous but festal in the balconies, and frankly fit for daylight and street life in the galleries. But, however they differed when looked at separately, they shared the same huge, lovable nature in the bulk, which murmured and swayed and quivered all the time the dancing and juggling and love-making went on in front of it, slowly laughed and reluctantly left off laughing, and applauded with a helter-skelter generosity which sometimes became unanimous and overwhelming. Once William saw Katharine leaning forward and clapping her hands with an abandonment that startled him. Her laugh rang out with the laughter of the audience.

For a second he was puzzled, as if this laughter disclosed something that he had never suspected in her. But then Cassandra’s face caught his eye, gazing with astonishment at the buffoon, not laughing, too deeply intent and surprised to laugh at what she saw, and for some moments he watched her as if she were a child.

The performance came to an end, the illusion dying out first here and then there, as some rose to put on their coats, others stood upright to salute “God Save the King,” the musicians folded their music and encased their instruments, and the lights sank one by one until the house was empty, silent, and full of great shadows. Looking back over her shoulder as she followed Ralph through the swing doors, Cassandra marvelled to see how the stage was already entirely without romance. But, she wondered, did they really cover all the seats in brown holland every night?

The success of this entertainment was such that before they separated another expedition had been planned for the next day. The next day was Saturday; therefore both William and Ralph were free to devote the whole afternoon to an expedition to Greenwich, which Cassandra had never seen, and Katharine confused with Dulwich.