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NIGHT AND DAY
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telephone. He could not play the spy. She might be making any arrangements she chose. Yet the thought did not disturb him so much as the strange, unpleasant, illicit atmosphere of the whole scene with the young people the night before. His sense of discomfort was almost physical.

Had he known it, Katharine was far enough withdrawn, both physically and spiritually, from the telephone. She sat in her room with the dictionaries spreading their wide leaves on the table before her, and all the pages which they had concealed for so many years arranged in a pile. She worked with the steady concentration that is produced by the successful effort to think down some unwelcome thought by means of another thought. Having absorbed the unwelcome thought, her mind went on with additional vigour, derived from the victory; on a sheet of paper lines of figures and symbols frequently and firmly written down marked the different stages of its progress. And yet it was broad daylight; there were sounds of knocking and sweeping, which proved that living people were at work on the other side of the door, and the door, which could be thrown open in a second, was her only protection against the world. But she had somehow risen to be mistress in her own kingdom; assuming her sovereignty unconsciously.

Steps approached her unheard. It is true that they were steps that lingered, divagated, and mounted with the deliberation natural to one past sixty whose arms, moreover, are full of leaves and blossoms; but they came on steadily, and soon a tap of laurel boughs against the door arrested Katharine’s pencil as it touched the page. She did not move, however, and sat blank-eyed as if waiting for the interruption to cease. Instead, the door opened. At first, she attached no meaning to the moving mass of green which seemed to enter the room independently of any human agency. Then she recognized parts of her