Night," and "Christopher Kirkland.” This last is
deeply interesting, as a history of the author herself,
her theories, philosophy, and religious opinions.
The writing table in the cosy library—or as Mrs. Lynn Linton often calls it, "the workroom"—is placed slantways to catch the best light, and commands a beautiful view from the windows, full south over the Surrey hills.
The cut-glass inkstand has been in constant use for over fifty years. Papers, reviews, and books of reference are tidily heaped up; the table is full, but in perfect order; commenting on this to your hostess, she says it is part of her nature, she could find anything in the dark." She is altogether a believer in method, regularity, and punctuality, which last quality gained for her from Charles Dickens the remark that she was "good for anything, and thoroughly reliable."
Opening a well-worn "Dictionary of Greek and Roman Antiquities" lying on a side-table close at hand, Mrs, Lynn Linton remarks it was bought with nearly her first earnings, and that she has by degrees purchased nearly all the books, which seem to occupy every available recess. The two deep cases opposite are filled with treasures of literature, and the tall revolving bookstand contains chiefly her collection of favourite poets—Landor, Arnold, Swinburne.
A Persian carpet of subdued tints covers the floor; on a large round table, over which hangs a lamp of graceful design, is heaped, with extreme precision, a mass of journals, magazines, and periodicals; not a paper is awry. The great accumulation of literature
