TENTH SERIES.
257
pall-bearer, 204, 275 ; value of money in his
time, 288 ; his brother Edmund, 340 ; his
vocabulary, iv. 49 ; allusions to chess, 284 ;
his portraits, iv. 368, 494 ; ix. 68, 111 ; and
the musical glasses, v. 128, 232 ; viii. 300 ; and
the storm of 1703, v. 161 ; his " heroic " crea-
tions, v. 429 ; vi. 172 ; contrast between 1850
and 1906, vi. 187 ; vowel-sounds in, 281, 395 ;
his influence upon English literature, 422 ;
games mentioned by, vii. 361, 402, 511 ; public
speaking in his time, viii. 130, 415 ; ix. 38, 297,
313 ; as a player, viii. 227 ; early masters of his
school, 323, 397 ; and the nightingale's song,
354 ; and toothache, x. 122 ; as actor, 346 ;
his epitaph, 346, 396, 417 ; anticipates day-
light-saving, xi. 226 ; his descendants, 346 ;
wooden statuette, xii. 245 ; and plant-names,
281, 333, 411 ; legal references in, 382
' Shakespeare Apocrypha,' error in, x. 345
Shakespeare Criticisms :
All's Well that Ends Well, Act. I. sc. iii., " Was this fair face the cause ? quoth she," xi. 242.
Act V. sc. ii., " Purr," vi. 323, 505 ; vii.
144, 484
Antony and Cleopatra, Act. I. sc. i., " Such a mutuall paire," x. 424 ; " I'll seem the fool I am not," xii. 464 ; " No messenger but thine," 464 ; sc. iii., " I wish for- beare," x. 165, 345
Act TI. sc. i., " The deeds of iustest men," xii. 464 ; sc. vi., " Not he that himself is not so," xii. 464 ; sc. vii., " Pinch one another by the disposition," viii. 303, 505
Act III. sc. viii., " The next Caesarion smite," xi. 85 ; sc. x., " Ribaudred nagge," vii. 301 ; sc. xii., " Lessons his Requests," x. 424 ; sc. xiii., " He is a god," xii. 465
Act V. sc. i., "A poor Egyptian yet," xii. 465 ; sc. ii., " An Anthony it was," x. 424
As You Like It, Act I. sc. i., " Wilt thou lay hands on me, villain ? " v. 264 ; " Vil- lain," vi. 325, 505 ; sc. iii., " The other mad without any," xii. 463
Act IT. sc. i., " The penalty of Adam," ii. 524 ; iii. 185 ; " Left and abandon'd of his velvet friend," v. 264 ; sc. vii., " All the world's a stage," iii. 184, 426 ; " Inland-bred," vi. 504 ; " Till that," x. 344 ; " And then the Lover," xi. 84, 243
Act III. sc. ii., " I was never so berim'd," xi. 84 ; sc. v., " Betwixt the constant red and mingled damask," xii. 464
Act IV. sc. i., " The foolish chroniclers of
that age," xi. 84 ; sc. iii., " Chewing the
food of sweet and bitter fancy," viii. 163
Coriolanus, Act. I. sc. x., " Embarquements
all of fury," iii. 184
Act II. sc. iii., " Stuck not to call us the
many -headed multitude," i. Ill Cymbeline, Act III. sc. iii., " Travelling
a-bed," x. 165, 345
Hamlet, the name Ophelia, iii. 249 ; Polonius and Lord Burleigh, Cecil and Montano, 305, 416 ; first performance described, viii. 227
Act I. sc. ii., " Or that the Everlasting," vi. 505 ; vii. 146 ; " A beast, that wants
Shakespeare Criticisms :
discourse of reason," x. 165 ; sc. iii., " Comrade," i. 425 ; sc. iv., " Dram of eale," iv. 285 ; v. 264 ; sc. v., " Like quills upon the fretful porpentine," vi. 505
Act III. Rosencrantz and Guildenstern, iii. 184 ; sc. i., " Thus conscience doth make cowards of us all," i. 105, 111 ; sc. ii., " A very, very pajock," i. 163 ; " Miching, mallicho," i. 162 ; ii. 344, 524 ; iii. 184, 426 ; iv. 444 Act IV. sc. v., " Nature is fine in love,"
ix. 263 ; sc. vii., Lamond, viii. 49 Act V. sc. i., ' When that her golden couplets are disclos'd," ix. 188; sc. ii., "And yet but yaw neither," v. 465
Henry IV. Part I. Act II. sc. i., " Oneyers," iv. 443 ; v. 265, 466 ; " Stung like a tench," vi. 504. ; vii. 145 ; sc. iii., " O, I could divide myself," ii. 64 ; sc. iv., "Pitiful-hearted Titan that melted," vi. 504 ; vii. 145, 302, 485 Act III. sc. i., " I had rather hear a brazen canstick turned," ii. 64, 344 ; change of course of Trent, vi. 324 ; vii. 485 Act V. sc. i., " A trim reckoning," v. 128, 176 ; sc. iv., " Shrewsbury clock," viii. 8, 96, 195
Henry IV. Part II. Act I. sc. ii., " If a man is through with them," x. 164, 345 ; sc. iii., " Yes, if this present quality of war," viii. 504 ; ix. 264 ; x. 344 Act II. sc. ii., " This Doll Tearsheet should be some road," viii. 504 ; ix. 264 ; sc. iv., " Saturn and Venus in conjunction," viii. 504 Act III. sc. ii., " Harry ten shillings in
French crowns," viii. 164 Act IV. sc. i., " And bless'd, and grac'd, and did more than the king," viii. 504 ; ' Turning your books to graves," 504 ; sc. iv., " Haunch of winter," viii. 164, 304, 505
Henry V., battle of Agincourt, iii. 121
Henry VI. Part I. Pucelle, or the Pucelle,
ii. 524 ; iii. 185 Act III. sc. ii., original of Falstaff, iv. 145
Henry VI. Part II. Act IV. sc. i., sun and eland as badge, i. 290, 338 ; " Gelidus timor occupat artus," vi. 324
Henry VI. Part III. Act II. sc. v., " Thou that so stoutly hast resisted me," xi. 85, 244, 424
Henry VIII., Act I. sc. i., " Abject object,"
vi. 324
Act III. sc. ii., passage in Sidney's ' Arca- dia,' vi. 324
Irus, supposed play by Shakespeare, i. 349
Julius Caesar, pictures drawn from, iv. 169,
234 ; Caesar's deafness, xi. 243, 425 Act III. sc. i., " Et tu, Brute ! " v. 125 Act V. sc. v., and Drayton's ' Idea,' vii. 144
King John, Act V. sc. ii., " Their thimbles into armed gauntlets change," xi. 66
King Lear, on the modern stage, xii. 224 Act I. sc. i., " The most precious square of sense possesses," iv. 284 ; " Not all the Dukes of watrish Burgundy," xi. 243 ; sc. iv., " The sea-monster," xi. 424 ; sc. v., " As a crab does to a crab," xi. 424
