about forty years of age. But Mr. Millais is not the man to mind much whether he does or does not represent a particular incident, or whether or not any such representation is endurably correct. He has painted delightfully a very loveable woman, and that will probably suffice him and us. The tint of flesh in the arm appears hardly so pure as the rest of the colouring.
247. O'Neil—Before Waterloo.—This picture will certainly have critics of two sorts. One set, incurious of artistic subtleties, will batten upon such a purveying of British military heroism, gushing young creatures, and harrowing family partings. Another set will turn with æsthetic distaste from so much of ball-costume and regimentals, and such a cross between the leaden and the garish in colour. An intermediate set ought also to find a voice, and to aver that the scheme of arrangement in the picture is very ingenious, and successful in turning a serious difficulty—that the story is told with great emphasis and much well-considered variety of detail—and that, when one faces the picture with deliberation, one can hardly refuse it the praise of being interesting. If Mr. O'Neil could but get somebody else's colour to exude through his brush, with texture and surface to correspond!
248. Sir C. Lindsay.—The Earl Somers.—It is only fair to cite this picture, by an amateur and a Baronet, as one of the best portraits on the walls. The steadiness of the figure on his feet, without compromise and without bravado, is alone a considerable merit. A spectator may be struck by the great number of sitters who elect to be painted in shooting costume, or in some other dress and with other accessories of sport. "Manly exercises" will of course account for most of this; and knickerbockers and black velvet have their share of influence.
260. Legros—The Refectory.—The eye finds repose and satisfaction in this broadly and firmly painted picture, free from the last suspicion of ad captandum appeal. Three monks and a tabby cat have assembled to make a meal off a mackerel—the board laid with a perfectly clean white cloth. The monks are all men of dignified and thoughtful presence: two of them still pause over a book of orisons or meditations before they begin
