and to be dressed in ready-made, unearned clothes, and to eat at the expense of a benevolent witch. To the same story had his father and his grandfather listened as, shaped according to the stereotyped version current throughout antiquity, it had issued from the mouths of male and female nurses through the long course of ages and of generations.
Then Oblomov's nurse proceeded to draw another picture for the imagination of her charge. That is to say, she told him of the exploits of the Russian Achilleses and Ulysseses, and of the manner in which those heroes had been used to wander about Russia, and to kill and slay; and of how once they had disputed as to which of them could best drain a beaker of wine at a draught. Also, she told the boy of cruel robbers, of sleeping princesses, and of cities and peoples which had been turned into stone. Lastly, she passed to Russian domonology, to dead folk, to monsters, and to werewolves. With a simplicity, yet a sincerity, worthy of Homer, with a lifelike similitude of detail and a power of clear-cut relief that might have vied with the great Greek poet's, she fired the boy's intellect and imagination to a love for that Iliad which our heroes founded
