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OBLOMOV

a flat—I should have to go to her aunt, and to say: 'This is my betrothed!' At all costs must I put a stop to these rumours. Marriage! What is marriage?"

He smiled as he remembered his recent poetical idealization of the ceremony—the long train to the gown, the orange-blossoms, the whispers of the crowd. Somehow the colours had now changed; the crowd now comprised also the uncouth, the slovenly Zakhar and the whole staff of the Ilyinskis' servants' hall. Also, he could see a long line of carriages and a sea of strange, coldly inquisitive faces. The scene was replete with glimmering, deadly weariness.

Summoning Zakhar to his presence, he again asked him how he had dared to spread such rumours.

"For do you know what marriage means?" he demanded of his valet. "It means that a lot of idle lacqueys and women and children start chattering in kitchens and shops and the market-place. A given individual ceases to be known as Ilya Ilyitch or Peter Petrovitch, and henceforth ranks only as the zhenich.[1] Yesterday no one would have noticed him, but by to-morrow every one will be staring at him as though he were

  1. Bridegroom-to-be.