puts the gohei-wand into the boy's hands, and, resuming his seat, plays sweetly on the sacred flute, exactly as you shall read of its being done in the Kojiki; which is not a surprising coincidence, since the action is copied from it. On advanced pupils the effect is almost instantaneous. The boy goes into convulsions, raises the gohei to arms' length above his head, brandishes it maniacally in the air, and while still doing so rises to his feet and proceeds to dance madly about the room. In the course of his divine antics he contrives to part with the gohei-wand, which he hurls inadvertently into a corner. He then enters upon several gymnastic exercises. First he turns somersaults promiscuously all over the floor. Then a low table is brought out by some of the other pupils and set in the middle of the room, and over this, directed by taps on it from the Kwancho, the possessed somersaults in every possible direction, following in a definite order the compass points. The table is then turned on its side, and he repeats his series of tumbles. The same is next done with the table turned bottom side up; and so forth and so on in pretty much every other position
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INCARNATIONS.
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