As for Dante, I do not know whether he can make a strong appeal to you in any language except his own; and you must understand the Middle Ages very well to feel how wonderful he was. I might say something similar about other great Italian poets. Of the French dramatists, you must study Molière; he is next in importance only to Shakespeare. But do not read him in any translation. Here I should say positively, that one who cannot read French might as well leave Molière alone; the English language cannot reproduce his delicacies of wit and allusion.
As for modern English literature, I have tried in the course of my lectures to indicate the few books deserving of a place in world-literature; and I need scarcely repeat them here. Going back a little further, however, I should like to remind you again of the extraordinary merit of Malory's book the Morte d'Arthur, and to say that it is one of the very few that you should buy and keep and read often. The whole spirit of chivalry is in that book; and I need scarcely tell you how deep is the relation of the spirit of chivalry to all modern English literature. I do not recommend you to read Milton, unless you intend to make certain special studies of language; the linguistic value of Milton is based upon Greek and Latin literature. As for his lyrics—that is another matter. Those ought to be studied. As there is little more to say, except by way of suggestion, I think that you ought, every one of you, to have a good copy of Shakespeare, and to read Shakespeare through once every year, not caring at first whether you can understand all the sentences or not; that knowledge can be acquired at a later day. I am sure that if you follow this advice you will find Shakespeare become larger every time that you read him, and that at last he will begin to exercise a very strong and very healthy influence upon your methods of thinking and feeling. A man does not require to be a great scholar in order to
