the obsolete prolixity of shade'. It must not be Mr Tennyson's blank verse.
For all experience is an arch, wherethrough
Gleams that untravelled world, whose distance fades
For ever and for ever, as we gaze.
It is no blame to the thought of those lines, which belongs to another order of ideas than Homer's, but it is true, that Homer would certainly have said of them, 'It is to consider too curiously to consider so'. It is no blame to their rhythm, which belongs to another order of movement than Homer's, but it is true that these three lines by themselves take up nearly as much time as a whole book of the Iliad. No; the blank verse used in rendering Homer must be a blank verse of which perhaps the best specimens are to be found in some of the most rapid passages of Shakspeare's plays,—a blank verse which does not dovetail its lines into one another, and which habitually ends its lines with monosyllables. Such a blank verse might no doubt be very rapid in its movement, and might perfectly adapt itself to a thought plainly and directly evolved; and it would be interesting to see it well applied to Homer. But the translator who determines to use it, must not conceal from himself that in order to pour Homer into the mould of this metre, he will have entirely to break him up and melt him down, with the hope of then successfully com-
