Page:Once a Clown, Always a Clown.djvu/211

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CAME DAWN AT HOLLYWOOD

"Ladies and gentlemen," the announcer began, "I wish to invite your attention to a consummate work of art to be produced in this the-ah-tur, the lawst hawf of the week—'Carmen!' Need I say more? The titular role will be enacted by that superb artist, Miss—Miss——"

Unable to recall the name of the star, he cleared his throat and detoured. "This super picture, marking an epoch in the history of the cinema, is, as I scarcely need tell you, based upon the famous story of Prosper Mérimée and the even more celebrated opera by Bizet, without question the most dramatic libretto in all the vast range of the operatic stage, and when I add that the heroine is played by that exquisite and fabulously paid artist, herself a prima donna of the renowned Metropolitan Opera House of New York City, Miss—Miss——"

And again he missed. "Ah—ah, the locale of this lavish production is Spain, that land of song and story, of vivid light, of warmth, of color. In its course is shown an actual bull fight in that most famous of arenas, the Plaza de Toros of Seville, a very epitome of realism. And creating the rôle for the silver screen is the most celebrated Carmen of the operatic stage, a lady

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