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WOLFIE LOVES THE LAMBS

gift had fixed the club in Gramercy Park and the theatrical district steadily moved northwestward until to-day its center is forty blocks away. It is a taxicab journey to The Players; neither bus, street car nor subway passes near by. Of all the theaters that once abutted upon the club, only the burlesque houses of Fourteenth Street survive. The last neighbor of dignity, The Academy of Music, is being razed, as I write, to make way for a twenty-five story office building. The name of Booth alone is sufficient to endear this quiet club forever to actors, and at least five of its directorate always must be actors, managers or dramatists, but because of its relative inaccesibility the profession frequents it less and less. Meanwhile the more agile Lambs were following the Rialto up Broadway, and The Lambs has come, in my opinion, more nearly to fulfilling Booth's ideal than the club he founded.

The Lambs' first outing or Washing was held at Wallack's Island, Lester Wallack's summer home near Stamford, and it is recorded that three carriages held all the participants. By the time I joined, the Washings were taking place on Clay Greene's country estate at Bayside, Long Island. They lapsed about 1899 to

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