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ONCE A CLOWN, ALWAYS A CLOWN

were skeptical and were at no pains to conceal their suspicions of a hoax. Piqued by these doubts, Bishop began another demonstration. In the midst of it he fell in a second faint. Unable to revive him, the doctors present had him carried to a room in the clubhouse, where he died the following noon.

The attending physicians called in consultants and eventually the coroner, and an autopsy was performed. Several days later Bishop's mother brought a criminal action against the doctors who had taken part in the autopsy, charging that her son was not dead but in a state of suspended animation common to him. He always had carried a written warning on his person, she said, addressed to "doctors and friends", forbidding an autopsy or any violent means of resuscitation. No such paper had been found on him, however, and a coroner's jury absolved the officiating surgeons from all blame.

Eventually these Gambols were the salvation of the club and created its lasting prosperity. Originally they had been private affairs to which each Lamb was entitled to bring one guest. In 1891 Augustus Thomas suggested that the best of the acts be grouped into a public Gambol to which admission would be charged, a varia-

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