The moral of "Clover" was the vanity of undue ambition. The hero leaving home on a quixotic quest wins at length a victory at a heroic cost. That victory is made futile by the unexpected death of the king. At Dungan's entrance with the grievous tidings, the entire company would fall to their knees, the quartet at the front of the stage, and sing a very lovely prayer, closing the act. The solo parts were sung by Eugene Oudin, who played the hero.
At Wallack's Theater one summer evening toward the close of the run, Dungan tripped on the scabbard of his sword as he entered and fell flat center stage with the words, "My Lord"
I never have known another such utter collapse to overtake a company. We had heckled him for weeks to no result, and now, when we had given up, he had fallen over his own sword. With one exception none of us, principals or chorus, could utter a note. Marion Manola, the prima donna, became so hysterical that she fainted. The orchestra was silent; the conductor, Adolph Nowak, had laid down his baton and buried his head on the stand. All by himself Oudin lifted his voice and sang that prayer unaided. He sang not only his solo part
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