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THE CINEMA MURDER

grey in colour, was greasy with repellent-looking mud—there were puddles even in the asphalt-covered pathway which he trod. On either side of him stretched the shrunken, unpastoral-looking fields of an industrial neighbourhood. The town-village which stretched up the hillside before him presented scarcely a single redeeming feature. The small, grey stone houses, hard and unadorned, were interrupted at intervals by rows of brand-new, red-brick cottages. In the background were the tall chimneys of several factories; on the left, a colliery shaft raised its smoke-blackened finger to the lowering clouds.

After his first glance around at these familiar and unlovely objects, Philip Romilly walked with his head a little thrown back, his eyes lifted as though with intent to the melancholy and watery skies. He was a young man well above medium height, slim, almost inclined to be angular, yet with a good carriage notwithstanding a stoop which seemed more the result of an habitual depression than occasioned by any physical weakness. His features were large, his mouth querulous, a little discontented, his eyes filled with the light of a silent and rebellious bitterness which seemed, somehow, to have found a more or less permanent abode in his face. His clothes, although they were neat, had seen better days. He was ungloved, and he carried under his arm a small parcel, which appeared to contain a book, carefully done up in brown paper.

As he reached the outskirts of the village he slackened his pace. Standing a little way back from the road, from which they were separated by an ugly, gravelled playground, were the familiar school build-