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THE CINEMA MURDER

Philip laughed easily.

"Why," he exclaimed, "are you going to be like the others and take me for—wasn't it Mr. Romilly?—the man who disappeared from the Waldorf? Why, I've been tracked all round New York because of my likeness to that man."

"Likeness!" Mr. Raymond Greene muttered. "Likeness!"

There was a moment's silence. Then Mr. Greene knew that the time had arrived for him to pull himself together. He had carried his bewilderment to the very limits of good breeding.

"Well, well!" he continued. "Fortunately, it's six o'clock, and I can offer you gentlemen a cocktail, for upon my word I need it! Come to look at you, Mr. Ware, there's a trifle more what I might term savoir faire, about you. That chap on the boat was a little crude in places, but believe me, sir," he went on, thrusting his arm through Ware's and leading him towards the bar, "you don't want to be annoyed at those people who have mistaken you for Romilly, for in the whole course of my life, and I've travelled round the world a pretty good deal, I never came across a likeness so entirely extraordinary."

"I have heard other people mention it," Noel Bridges intervened, "although not quite with the same conviction as you, Mr. Greene. Curiously enough, however, the photograph of Romilly which they sent out from England, and which was in all the Sunday papers, didn't strike me as being particularly like Mr. Ware."

"It was a damned bad photograph, that," Mr. Raymond Greene pronounced. "I saw it—couldn't