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THE CINEMA MURDER

the rain softened his hot cheeks. He sat there, peering away into the shadows, struggling for the sight of definite objects—a tree, a house, the outline of a field—anything to keep the other thoughts away, the thoughts that came sometimes like the aftermath of a grisly, unrealisable nightmare. Then he felt chilly, drew up the window, thrust his hands into his pockets from which he drew out a handsome cigarette case, struck a match, and smoked with vivid appreciation of the quality of the tobacco, examined the crest on the case as he put it away, and finally patted with surreptitious eagerness the flat morocco letter case in his inside pocket.

At the Junction, he made his way into the refreshment room and ordered a long whisky and soda, which he drank in a couple of gulps. Then he hastened to the booking office and took a first-class ticket to Liverpool, and a few minutes later secured a seat in the long, north-bound express which came gliding up to the side of the platform. He spent some time in the lavatory, washing, arranging his hair, straightening his tie, after which he made his way into the elaborate dining-car and found a comfortable corner seat. The luxury of his surroundings soothed his jagged nerves. The car was comfortably warmed, the electric light upon his table was softly shaded. The steward who waited upon him was swift-footed and obsequious, and seemed entirely oblivious of Philip's shabby, half-soaked clothes. He ordered champagne a little vaguely, and the wine ran through his veins with a curious potency. He ate and drank now and then mechanically, now and then with the keenest appetite. Afterwards he smoked a cigar,