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THE CINEMA MURDER

than interest. It seemed almost as though he were trying to project his thoughts back and conjure up for himself the very scene which was being described to him. The young man was certainly in a very delicate state of health, Mr. Greene decided.

"You are keeping us in suspense, sir," the elderly lady complained, leaning forward in her place. "Please go on. What happened when they came out?"

"That," Mr. Raymond Greene said impressively, "is the point of the story. The train remained standing there, as I have said, for several minutes—as many minutes, in fact, as it would have taken them seconds to have traversed that tunnel. Notwithstanding that, they neither of them appeared again. I sat there, believe me, with my eyes fastened upon that path, and when the train started I leaned out of the window until we had rounded the curve and we were out of sight, but I never saw either of those two men again. Now there's the beginning of a film story for you! What do you want more than that? There's dramatic interest, surprise, an original situation."

"After all, I suppose the explanation was quite a simple one," Mr. Busby remarked. "They were probably acquaintances, and they stayed to have a chat."

Mr. Raymond Greene shook his head doubtfully.

"All I can say to that is that it was a queer place to choose for a little friendly conversation," he pronounced. "They were both tall men—about the same height, I should say—and it would have been impossible for them to have even stood upright."