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THE CINEMA MURDER
41

"You know," she asked, her voice still very low, "why I left the saloon a little abruptly this evening?"

"Why?" he demanded.

"Because," she went on, "I could see the effect which Mr. Raymond Greene's story had upon you; because I, also, was in that train, and I have better eyesight than Mr. Greene. You were one of the two men who were walking along the towpath."

"Well?" he muttered.

"You have nothing to tell me?"

"Nothing!"

She waited for a moment.

"At least you have not attempted to persuade me that you lingered underneath that bridge to escape from the rain," she remarked.

"If I cannot tell you the truth," he promised, "I am not going to tell you a lie, but apart from that I admit nothing. I do not even admit that it was I whom you saw."

She laid her hand upon his. The touch of her fingers was wonderful, cool and soft and somehow reassuring. He felt a sense of relaxation, felt the strain of living suddenly grow less.

"You know," she said, "all my friends tell me that I am a restful person. You are living at high pressure, are you not? Try and forget it. Fate makes queer uses of all of us sometimes. She sends her noblest sons down into the shadows and pitchforks her outcasts into the high places of life. Those do best who learn to control themselves, to live and think for the best."

"Go on talking to me," he begged. "Is it your