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DANGERS OF STAGING.
55

IV.

THE HOT LANDS.

From Idleness to Peril.—Solitud.—Chiquihuiti.—Tropical Forests.—The Falls of Atoyac.—Wild Beasts non sunt.—Cordova and its Oranges.—Mount Orizaba.—Fortin.

Vera Cruz soon wearies. Even the generous hospitality of our consul, whose table and couch have been mine for days, could not make it lovely long. The mountains draw like the Loadstone Mountain of the "Arabian Nights." The consul-general comes from the capital, and by due persuasion is enticed not to wait for the president's return, but to climb back after the old fashion, the stage-coach and the robber; for though the railroad is finished, that does not insure one a ride over it. Until the president returns over it, no one can, except he gets passage in a dirt-car, and takes the mountain morning coldness, without shelter, and almost without a seat. How long we may have to wait for his return, quien sabe?—(who knows?)—the universal answer here to all inquiries, as mañana is to all orders. So we get as far as is allowed us on the railway, and then take to the stage.

There are several reasons prompting us to this course. The stage is a vanishing institution. A week or two hence there will be no staging between the sea-port and the capital. We must indulge it now or never. Then we are told it is exceedingly dangerous. Robbers abound, and they will not fail to lose their last opportunity to black-mail the coach. So it will give the romance of peril essential to a first-class excitement. It is also a horrible road, and men affirm that they would endure any torment they or their friends could be subject to, especially the latter, rather than make the trip again—and then go and make it. Why not we?