luxurious, and making as little outward show of its luxury as the plain red brick town house of the wealthy Philadelphian.
How comfortable a type of house it was to live in, I know from experience of another, not a school, within sight, a ten minutes' walk across the fields, and like it in design and arrangement and even colour,—in everything except size,—which my Father took one summer: to me a most memorable summer as it was the first I spent outside the Convent limits from the beginning to the end of the long holiday. The jerry-builder had had no part in putting up the solid, well-constructed walls which stood firm against winter storms and winds, and were no less a protection from the torrid heat of a Philadelphia summer. But fashion can leave architecture no more alone than dress. Already, the newer group of houses down by the Delaware were built of the brown stone which, to my mind, dates the beginning of the Philadelphian's fall from architectural grace, the beginning of his distrust in William Penn's plans for his well-being and of his foolish hankering after the fleshpots of New York.
The Convent, before I came to it, had been a victim to the brown stone fashion. With success, the pleasant old country house had grown too small for the school into which it had been converted, and a southern wing had been added: a long, low building with the Chapel at the far end, all built in brown stone and in a style that passed for Gothic and that a thousand times I could have wished
