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FLIRTATION
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lands, and to enumerate in turn every variety of their trees—oranges, cypresses, olive trees, almonds, cactuses, aloes, mahogany, sandalwood, lemons, ivy, walnuts, even fig trees—praising extravagantly their forms, flowers, and bark, then Thaddeus constantly sniffed and grimaced, and finally could no longer restrain his wrath.

He was a simple lad, but he could feel the charm of nature, and, gazing on his ancestral forest, he said full of inspiration:—

"In the botanical garden at Wilno I have seen those vaunted trees that grow in the east and the south, in that fair Italian land—which of them can be compared to our trees? The aloe with its long stalk like a lightning rod? Or the dwarfish lemon tree with its golden balls and lacquered leaves, short and dumpy, like a woman who is small and ugly, but rich? Or the much-praised cypress, long, thin, and lean, which seems the tree, not of grief, but of boredom? They say that it looks very sad upon a grave; but it is like a German flunkey in court mourning, who does not dare to lift his arms or turn his head, for fear that he may somehow offend against etiquette."

"Is not our honest birch tree fairer, which is like a village woman weeping for her son, or a widow for her husband, who wrings her hands and lets fall over her shoulders to the ground the stream of her loose tresses? Mute with grief, how eloquently she sobs with her form! Count, if you are in love with painting, why do you not paint our own trees, among which you are sitting? Really, the neighbours will laugh at you, since, though you live in the fertile plain of Lithuania, you paint only crags and deserts."

F