This page has been proofread, but needs to be validated.
112
PAN TADEUSZ

was changing its form, and that in the Seneschal's lips it grew now thicker and now thinner, imitating the cries of animals; once, prolonging itself into a wolf's neck, it howled long and piercingly; again, as if broadening into a bear's throat, it roared; then the bellowing of a bison cut the wind.

Here he broke off, but he still held the horn. It seemed to all that the Seneschal was still playing on, but that was the echo playing. Hearing this masterpiece of horn music, the oaks repeated it to the oaks and the beeches to the beeches.

He blew again. In the horn there seemed to be a hundred horns; one could hear mingled outcries of setting on the dogs, wrath and terror of the hunters, the pack, and the beasts: finally the Seneschal raised his horn aloft, and a hymn of triumph smote the clouds.

Here he broke off, but he still held the horn. It seemed to all that the Seneschal was still playing on, but that was the echo playing. In the wood there seemed to be a horn for every tree; one repeated the song to another, as though it spread from choir to choir. And the music went on, ever broader, ever farther, ever more gentle, and ever more pure and perfect, until it died away somewhere far off, somewhere on the threshold of the heavens!

The Seneschal, taking both hands from the horn, spread them out like a cross; the horn fell, and swung on his leather belt. The Seneschal, his face swollen and shining, and his eyes uplifted, stood as if inspired, catching with his ear the last expiring tones. But meanwhile thousands of plaudits thundered forth, thousands of congratulations and shouts of vivat.