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PAN TADEUSZ

Look, there stand the player of the dulcimer, the fiddler, and the bagpiper, all worthy musicians—already the fiddler is making mouths, and the bagpiper is bowing and begging with his eyes that I will have them begin—the poor fellows will weep. The common folk will not know how to skip to other music; so let them begin and let the folk have their fun; afterwards we will listen to your excellent band."

He made a sign. The fiddler tucked up the sleeve of his coat, squeezed tightly the finger board, rested his chin on the tailpiece, and sent his bow over the fiddle like a race horse. At this signal, the bagpipers, who were standing close by, blew into their sacks and filled their cheeks with breath, making a quick motion with their arms as though flapping their wings; you might have thought that the pair would fly off on the breeze, like the chubby children of Boreas. But there was no dulcimer.

There were many players of the dulcimer, but none of them dared to perform in Jankiel's presence. (Jankiel had been spending the whole winter no one knows where; now he had suddenly made his appearance along with the General Staff.) Everybody knew that no one could compare with him in playing that instrument, either in skill, taste, or talent. They begged him to play and offered him the dulcimer; the Jew refused, saying that his hands had grown stiff, that he was out of practice, that he did not dare to, that he was embarrassed by the men of high station; with many a bow he was stealing away. When Zosia saw this, she ran up, and with one white hand proffered him the hammers with which the master was wont to sound the strings; with the other hand she stroked the old man's grey beard, and said with a curtsy:—