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PAUL CLIFFORD.

It was one of the oldest apartments in the house, and much of the ancient splendour that belonged to the mansion ere its size had been reduced, with the fortunes of its successive owners, still distinguished the chamber. The huge mantel-piece ascending to the carved ceiling in grotesque pilasters, and scroll-work of the blackest oak, with the quartered arms of Brandon and Saville escutcheoned in the centre,—the panelled walls of the same dark wainscot,—the armoire of ebony,—the high-backed chairs, with their tapestried seats,—the lofty bed, with its hearse-like plumes and draperies of a crimson damask that seemed, so massy was the substance, and so prominent the flowers, as if it were rather a carving than a silk, all conspired, with the size of the room, to give it a feudal solemnity, not perhaps suited to the rest of the house, but well calculated to strike a gloomy awe into the breast of the worldly and proud man who now entered the death-chamber of his brother.

Silently, William Brandon motioned away the attendants, and, silently, he seated himself by the bed, and looked long and wistfully upon the calm