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Penelope's Progress

was The Spirit of Poetry Calling Burns from the Plough. Burns wore white knee-breeches, military boots, a splendid waistcoat with lace ruffles, and carried a cocked hat. To have been so dressed he must have known the Spirit was intending to come. The plough-horse was a magnificent Arabian, whose tail swept the freshly furrowed earth, while the Spirit of Poetry was issuing from a practicable wigwam on the left, and was a lady of such ample dimensions that no poet would have dared say "no" when she called him.

The dining-room was blighted by framed photographs of the draper's relations and the draper's wife's relations; all uniformly ugly. (It seems strange that married couples having the least beauty to bequeath to their offspring should persist in having the largest families.) These ladies and gentlemen were too numerous to remove, so we obscured them with trailing branches; reflecting that we only breakfasted in the room, and the morning meal is easily digested when one lives in the open air. We arranged flowers everywhere, and bought potted plants at a little nursery hard by. We apportioned the bedrooms, giving Francesca the hardest bed,—as she is the youngest, and wasn't here to choose,—me the next hardest, and Salemina the best; Francesca the largest looking-glass and wardrobe, me the best view, and Sale-