could have survived a similar experience. Looking back to the sawdust-box, fancy pictures this comparable adult a serious and inventive writer engaged in congenial literary activities in a private retreat. We see this period marked by the creation of some of the most virile passages of a Work dealing exclusively in red corpuscles and huge primal impulses. We see this thoughtful man dragged from his calm seclusion to a horrifying publicity; forced to adopt the stage and, himself a writer, compelled to exploit the repulsive sentiments of an author not only personally distasteful to him but whose whole method and school in belles lettres he despises.
We see him reduced by desperation and modesty to stealing a pair of overalls. We conceive him to have ruined, then, his own reputation, and to have utterly disgraced his family; next, to have engaged in the duello and to have been spurned by his lady-love, thus lost to him (according to her own declaration) forever. Finally, we must behold: imprisonment by the authorities; the third degree—and flagellation.
We conceive our man deciding that his career had been perhaps too eventful. Yet Penrod had condensed all of it into eight hours.
