high poised on her head. She was limping under her burden. I followed her to the shop and made some inquiries. Her name is Rosie Levenstein. I shall leave in the deformities, but I shall change her name.
Isn't she just a trifle unpleasant, a little unsympathetic, for a heroine?
My book, replied Peter, is going to be very unpleasant. It is about life and because you and I enjoy life is little enough reason for us to consider it other than a dirty business. Life for the average person, for Rosie, for instance, simply will not do. It's bloody awful and, if anything, I shall make it worse than it is. Now, if the comrades succeed in starting the REVOLUTION, I am going through with it, straight through, breaking into drawing-rooms with the others. I'm going to pound up a Steinway grand with a hammer. Here Peter, with a suitable gesture, brought his hand down rather heavily on George Moore's head and that one, indignant, immediately rose and jumped down from his lap, subsequently stretched himself on the floor, catching his claws in the carpet, and after yawning once or twice, retreated under the bed. George Sand now left, Peter's shoulder to fill the vacant place on his knee. As I told you, I'm going to wear a red handkerchief round my brow and my face will be bloody. Then, all I have to do is to transfer the whole experience, everything I have done and felt, the thrill, the BOOM, to Rosie. Can't you see the
