at the Boîte à Fursy, on the Rue Pigalle, and Les Noctambules, on the Rue Champollion. I learned to speak easily of Mayol, Eve Lavallière, Dranem, Ernest la Jeunesse, Colette Willy, Max Dearly, Charles-Henry Hirsch, Lantelme. André Gide, and Jeanne Bloch. I saw Clemenceau, Edward VII, and the King of Greece. I nibbled toasted scones at a tea-shop on the Rue de Rivoli. I met the Steins. In short, you will observe that I did everything that young Americans do when they go to Paris.
On a certain afternoon, early in June, I found myself sitting at a table in the Café de la Paix with Englewood Jennings and Frederic Richards, two of my new friends. Richards is a famous person today and even then he was somebody. He had a habit of sketching, wherever he might be, on a sheet of paper at a desk at the Hotel Continental or on a program at the theatre. He drew quick and telling likenesses in a few lines of figures or objects that pleased him, absent-mindedly signed them, and then tossed them aside. This habit of his was so well-known that he was almost invariably followed by admirers of his work, who snapped up his sketches as soon as he had disappeared. I saw a good collection of them, drawn on the stationery of hotels from Hamburg to Taormina, and even on meat paper, go at auction in London a year or so ago for £1,000. When I knew him, Richards was a blond giant, careless of every-
