sock, and an English comic, in a round hat, a yellow checked suit, bearing binoculars, all three astride a remarkably vivid red hobby horse whose feet are planted in the attitude of bucking. The comic grasps the bobbed black tail of the nag in one hand and the long yellow braid of the female in the other.
The cocottes of the period were wont to wear very large bell-shaped hats. Lily Elsie, who was appearing in The Merry Widow in London, followed this fashion and, as a natural consequence, these head-decorations were soon dubbed, probably by an American, Merry Widow hats. Each succeeding day, some girl would appear on the boulevards surmounted by a greater monstrosity than had been seen before. Discussion in regard to the subject, editorial and epistolary, raged at the moment in the Paris journals.
Once we were seated in our stalls on the night in question, it became evident that the hat of the cocotte in front of Peter completely obscured his view of the stage. He bent forward and politely requested her to remove it. She turned and explained with equal politeness and a most entrancing smile that she could not remove her hat without removing her hair, surely an impossibility, Monsieur would understand. Monsieur understood perfectly but, under the circumstances, would Madame have any objection if Monsieur created a disturbance? Madame, her eyes shining with mirth,
