sun. With the spread of agriculture, men came to associate growth with sunlight, and the sun began to take precedence over the moon. Besides the worship of the sun goddess, the worship of the Earth-Mother arose. Cultic symbolism and mythology associated with the goddess of fertility, which reached their full bloom later in the Adonis-Ishtar and the Osiris-Isis cycles of Phoenicia and Egypt, have their origins in this period.
Along with the religious growth of Mesolithic man went his artistic evolution. In its earliest manifestations art was closely linked with magic by representing animals to be hunted, by creating amulets of bone and stone for protection against forces man could not control and by making fertility and cult statuettes for use in rituals designed to increase by magic the produce of his herd or crop.
In the New Stone Age, which commenced around 6000 B.C. and lasted about two thousand years, marked advances were made in agriculture, animal breeding, the use of polished stone implements and settled life. This age also saw the invention of pottery and the discovery of metal. Pottery makes its appearance in Palestine in one of the lowest strata of Jericho, and may even have been invented there. Monochrome pottery in North Syria may date from about 5000 B.C. This was followed, after perhaps five centuries, by painted pottery from a mound north-east of Antioch. Prior to the invention of the potter's wheel, which must have antedated 4000 B.C., all pottery was hand-fashioned. The North Syrian ceramic artists were vase painters who evidently emulated the skilled products of basket makers and rug weavers. Technically and artistically their wares, including dishes, bowls, platters, jars and cups, rank among the finest hand-made fabrics of antiquity. They used intricate polychrome geometrical and floral designs which competent judges assert have never been surpassed in beauty. For this painted pottery era the largest number of settlements, the thickest deposits and the highest cultural
