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THE GREY ROOM

The place was unchanged, and the dancing cherubs on the great chairs seemed to welcome daylight after their long darkness.

The visitor wandered slowly from end to end of the chamber, nodded to himself, and became animated. Then he checked his gathering excitement, and presently spoke.

"I think I am going to help you, Sir Walter," he said.

"That is great and good news, signor."

Then the old man became inconsequent, and turned from the room to the contents. If, indeed, he had found a clue, he appeared in no haste to pursue it. He entered now upon a disquisition concerning the furniture, and they listened patiently, for he had showed that any interruption troubled him. But it seemed that he enjoyed putting a strain upon their impatience.

"Beautiful pieces," he said, "but not Spanish, as you led me to suppose. Spanish chestnut wood, but nothing else Spanish about them. They are of the Italian Renaissance, and it is most seemly that Italian craftsmanship of such high order should repose here, under an Italian ceiling. Strange to say, my sleeping apartment at Rome closely resembles this room. I live in a villa that dates from the fifteenth century, and belonged to the Colonna. My chests are more superb than these; but your suite—the bed and chairs—I confess are better than mine. There is, however, a reason for that. Let us examine them for the sake of Mrs. May. Are these carved chairs, with