ample reparation made for a slight transgression. So though it may seem natural that he should speak with bitter disdain of the Atridæ, against whom we find him retaining his resentment to the last, it would be incredible that he should have made his profession of respect for their station if it was insincere, an occasion of introducing such a series of general reflexions as that which follows, in which he appears to be reconciling himself to the thought of obedience, by considering it as a universal law of nature. All this evidently proceeds from the depth of his heart, and so viewed is beautiful and touching: whereas if it be taken as a trick, to make his assumed change of mood more credible, nothing can easily be conceived more repulsive in itself, and less appropriate to the character of Ajax. Finally his parting directions to Tecmessa and the Chorus are so little like those of a person who was anxious to conceal his design, that as Welcker truly observes, one might rather be disposed to complain of the improbability that their meaning should have been mistaken: if it were not that a prejudice once caught is known to be capable of blinding us to the clearest intimations of the truth.
On the whole then we adopt with entire conviction Welcker's general view of this speech, which indeed harmonizes so well with that which has here been taken of one great feature in the poetical character of Sophocles, that we have thought it necessary to weigh the arguments on each side as cautiously as possible. Still if any one should find it impossible to believe that Ajax could be unconscious of the effect that his words were producing, we should not be unwilling to admit that he perceived the ambiguity of those expressions which bear a double meaning, so long as we are not called upon to give up the opinion that he is throughout and thoroughly in earnest. Before we quit the subject we will notice one or two passages, which either appears to contradict this conclusion, or have been so interpreted. The curse which Ajax, when on the point of death, pronounces against the Atridæ and the whole army, may at first sight seem to be inconsistent with those sentiments of reverence for their authority which he expresses in the former scene, and thus to prove that they were not genuine. It seems however no more difficult to conceive that Ajax, while he acknowledged the debt which he owed to justice for a breach of social order,
