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PICTURES FROM ITALY.

further torturing, down here. "But look! does Monsieur see the black stains on the wall?" A glance, over his shoulder, at Goblin's keen eye, shows Monsieur—and would without the aid of the directing-key—where they are. "What are they?" "Blood!"

In October, 1791, when the Revolution was at its height here, sixty persons: men and women ("and priests," says Goblin, "priests"): were murdered, and hurled, the dying and the dead, into this dreadful pit, where a quantity of quick-lime was tumbled down upon their bodies. Those ghastly tokens of the massacre were soon no more; but while one stone of the strong building in which the deed was done, remains upon another, there they will lie in the memories of men, as plain to see as the splashing of their blood upon the wall is now.

Was it a portion of the great scheme of Retribution, that the cruel deed should be committed in this place! That a part of the atrocities and monstrous institutions, which had been, for scores of years, at work, to change men's nature, should in its last service, tempt them with the ready means of gratifying their furious and beastly rage! Should enable them to show themselves, in the height of their frenzy, no worse than a great, solemn, legal establishment, in the height of its power! No worse! Much better. They used the Tower of the Forgotten, in the name of Liberty—their liberty; an earth-born creature, nursed in the black mud of the Bastille moats and dungeons, and necessarily betraying many evidences of its unwholesome bringing-up—but the Inquisition used it in the name of Heaven.