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RETROSPECTIVE
117

I smile with this smile, though then not a soul should be near. Consider; for a smile is the chosen vehicle of all ambiguities, Pierre. When we would deceive, we smile; when we are hatching any nice little artifice, Pierre; only just a little gratifying our own sweet little appetites, Pierre; then watch us, and out comes the odd little smile. Once upon a time, there was a lovely young Frenchwoman, Pierre. Have you carefully, and analytically, and psychologically, and metaphysically, considered her belongings and surroundings, and all her incidentals, Pierre? Oh, a strange sort of story, that, thy dear old aunt Dorothea once told thee, Pierre. I once knew a credulous old soul, Pierre. Probe, probe a little—see—there seems one little crack there, Pierre—a wedge, a wedge. Something ever comes of all persistent inquiry; we are not so continually curious for nothing, Pierre; not for nothing, do we so intrigue and become wily diplomatists, and glozers with our own minds, Pierre; and afraid of following the Indian trail from the open plain into the dark thickets, Pierre; but enough; a word to the wise.

Thus sometimes in the mystical, outer quietude of the long country nights; either when the hushed mansion was banked round by the thick-fallen December snows, or banked round by the immovable white August moonlight; in the haunted repose of a wide story, tenanted only by himself; and sentinelling his own little closet; and standing guard, as it were, before the mystical tent of the picture; and ever watching the strangely concealed lights of the meanings that so mysteriously moved to and fro within; thus sometimes stood Pierre before the portrait of his father, unconsciously throwing himself open to all those ineffable hints and ambiguities, and undefined half-suggestions, which now and then people the soul's atmosphere, as thickly as in a soft, steady snowstorm, the snowflakes people