the Universe. But among the beautiful imaginings of the second and third degree of poets, he freely and comprehendingly ranged.
But it still remains to be said, that Pierre himself had written many a fugitive thing, which had brought him, not only vast credit and compliments from his more immediate acquaintances, but the less partial applauses of the always intelligent, and extremely discriminating public! In short, Pierre had frequently done that, which many other boys have done—published. Not in the imposing form of a book, but in the more modest and becoming way of occasional contributions to magazines and other polite periodicals. His magnificent and victorious début had been made in that delightful love-sonnet, entitled 'The Tropical Summer.' Not only the public had applauded his gemmed little sketches of thought and fancy, whether in poetry or prose; but the high and mighty Campbell clan of editors of all sorts had bestowed upon him those generous commendations, which, with one instantaneous glance, they had immediately perceived was his due. They spoke in high terms of his surprising command of language; they begged to express their wonder at his euphonious construction of sentences; they regarded with reverence the pervading symmetry of his general style. But transcending even this profound insight into the deep merits of Pierre, they looked infinitely beyond, and confessed their complete inability to restrain their unqualified admiration for the highly judicious smoothness and genteelness of the sentiments and fancies expressed. 'This writer,' said one, in an ungovernable burst of admiring fury, 'is characterised throughout by Perfect Taste.' Another, after endorsingly quoting that sapient, suppressed maxim of Dr. Goldsmith's, which asserts that whatever is new is false, went on to apply it to the excellent productions
