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PIERRE

seen drawn up along the curb in front of the eating-houses, like lean rows of broken-hearted pelicans on a beach; their pockets loose, hanging down and flabby, like the pelican's pouches when fish are hard to be caught. But these poor, penniless devils still strive to make ample amends for their physical forlornness, by resolutely revelling in the region of blissful ideals.

They are mostly artists of various sorts; painters, or sculptors, or indigent students, or teachers of languages, or poets, or fugitive French politicians, or German philosophers. Their mental tendencies, however heterodox at times, are still very fine and spiritual upon the whole; since the vacuity of their exchequers leads them to reject the coarse materialism of Hobbs, and incline to the airy exaltations of the Berkeleyan philosophy. Often groping in vain in their pockets, they cannot but give in to the Descartian vortices; while the abundance of leisure in their attics (physical and figurative), unite with the leisure in their stomachs, to fit them in an eminent degree for that undivided attention indispensable to the proper digesting of the sublimated Categories of Kant; especially as Kant (can't) is the one great palpable fact in their pervadingly impalpable lives. These are the glorious paupers, from whom I learn the profoundest mysteries of things; since their very existence in the midst of such a terrible precariousness of the commonest means of support, affords a problem on which many speculative nut-crackers have been vainly employed. Yet let me here offer up three locks of my hair, to the memory of all such glorious paupers who have lived and died in this world. Surely, and truly I honour them—noble men often at bottom—and for that very reason I make bold to be gamesome about them; for where fundamental nobleness is, and fundamental honour is due, merriment is never accounted irreverent. The fools