Of "The Novel"
voir." "He taught the power of a word put in the right place."
There is no need for an eccentric vocabulary to formulate every shade of thought—the complicated, multifarious, and outlandish words which are put upon us nowadays in the name of artistic writing; but every modification of the value of a word by the place it fills must be distinguished with extreme clearness. Give us fewer nouns, verbs, and adjectives, with almost inscrutable shades of meaning, and let us have a greater variety of phrases, more variously constructed, ingeniously divided, full of sonority and learned rhythm. Let us strive to be admirable in style, rather than curious in collecting rare words.
It is in fact more difficult to bend a sentence to one's will and make it express everything—even what it does not say, to fill it full of implications of covert and inexplicit suggestions, than to invent new expressions, or seek out in old and forgotten books all those which have fallen into disuse and lost their meaning, so that to us they are as a dead language.
The French tongue, to be sure, is a pure stream, which affected writers never have and never can trouble. Each age has flung into the limpid waters its pretentious archaisms and euphu-
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