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TERENCE.
99

the Attic elegance of his style. There seems much justice in this criticism.

The brief prologues with which Terence introduces his plays, unlike those of Plautus, contain no kind of explanation of the plot. They are personal appeals of the poet to his audience, informing them honestly of the sources from which he has borrowed his piece (for to the honours of original invention no Roman dramatist of those days seems to have thought of aspiring), or defending himself against some charge of unfair dealing brought against him by his rivals. In this respect they bear a strong resemblance to the "parabasis," as it was called, introduced here and there between what we should call the acts, in the old Attic Comedy of Aristophanes and Cratinus.