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16
THE ANCIENT COMIC DRAMA.

they are the trusted friend and mainstay of a struggling family. It is by no means easy to explain satisfactorily this anomalous position. The slave no doubt in many cases, owing the loss of his personal liberty to the fortunes of war, being either a captive or a captive's child, might, although a foreigner, be of as good birth and hereditary intellect as his master. In many households he would go to the same school, and enjoy the same training in many ways as the young heir of the family: he would be taught many accomplishments, because the more accomplished he was, the more valuable a chattel he became. But was it also that these Athenian citizens, from whom Menander drew, held themselves somewhat above the common practical business of life—in short, like the Easterns in the matter of dancing, considered that they "paid some one else to do their thinking for them" in such matters? The witty slave occupied a position in those households somewhat akin to the king's jester in late times—allowed to use a freedom which would not have been suffered from those of higher rank, but limited always by the risk of condign personal chastisement if he ventured too far. The household slave was certainly admitted to most of his master's secrets; admitted, it must be remembered, almost of necessity, as many of our own modern servants are—a condition of things which we are all too apt to forget. He might at any moment by his ability and fidelity win, as so many did, his personal freedom, and became from that moment his master's friend; not, indeed, upon terms of perfect equality, but on a much nearer level than we in these days should be willing