tary life—wearing clumsy boots, and carrying a heavy buckler, and a pack on his shoulders.
But Callicles has heard of the proposed marriage, and will by no means allow his absent friend's daughter to go to her bridegroom dowerless, when there is money stored away specially for that object. But how is it to be done without discovering to the public the secret of the buried treasure, which is sure to confirm the suspicion of his underhand dealings? and which treasure if the young spendthrift once comes to know of, the rest of it will very soon follow the estate. If Callicles gives the money as out of his own pocket, people will only say that he was now doling out a part of some larger fund, left in his hands in trust, and which the girl and her brother ought to have had long ago. He adopts the scheme of hiring one of those unscrupulous characters who hung about the law courts at Athens, as they do about our own, ready to undertake any business however questionable, and to give evidence to any effect required—"for a consideration." This man shall pretend to have just landed from foreign parts, and to have brought money from Charmides expressly for his daughter's marriage portion. The required agent is soon found, and his services engaged by Callicles for the "Three Silver Pieces," which gives the name to the play. He is equipped in some outlandish-looking costume, hired from a theatrical wardrobe, and knocks at the door of Charmides' house (a small apartment in which is still occupied by his son) as though just arrived from sea. But at the door he meets no less a person than Charmides himself, who has just returned from his long absence, has noticed
