Most people do in awkward circumstances—
Make 'em as much more awkward as they can.
His master comes to look for him, followed by two slaves carrying whips and fetters, whom he keeps in hiding for the present in the background; but Tranio, quite aware of what is in store for him, takes refuge at the family altar, and will listen to no persuasions to come away. From this vantage-ground he holds an argument with his master; persuades him that his prodigal son has done nothing out of the way—only what other young men of spirit do; and when Theuropides vents his wrath against such a shameful piece of deception in a slave, gravely advises him to hold his tongue at all events on that point. With his grey hairs, he surely ought to have been wiser; if people once come to know how he has allowed himself to be duped, they will infallibly work him into a plot for the next new comedy.
Tranio gets off at last, by the intercession of Callidamates, who has sobered himself sufficiently to come forward and express repentance on the part of his young friend, and to entreat that all may be forgotten and forgiven; offering, handsomely enough, to pay off out of his own pocket the little debt to the money-lender. Tranio assures his master that he will not lose much by forgiving him this time—the whipping which he is longing to give now need only be a pleasure deferred, inasmuch as he is quite certain to do something to deserve one to-morrow. Which very characteristic witticism brings down the curtain.
Upon this comedy Regnard, who perhaps ranks next
