them to do sacrifice to Ariadne; and caused two little images to be made and dedicated to her, one of silver and the other of brass. Moreover, that on the second day of Gorpiæus,[1] which is sacred to Ariadne, they have this ceremony among their sacrifices, to have a youth lie down and with his voice and gesture represent the pains of a woman in travail; and that the Amathusians call the grove in which they show her tomb, the grove of Venus Ariadne.
Differing yet from this account, some of the Naxians write that there were two Minoses and two Ariadnes, one of whom, they say, was married to Bacchus, in the isle of Naxos, and bore the children Staphylus and his brother; but that the other, of a later age, was carried off by Theseus, and, being afterwards deserted by him, retired to Naxos with her nurse Corcyna, whose grave they yet show. That this Ariadne also died there, and was worshipped by the island, but in a different manner from the former; for her day is celebrated with general joy and revelling, but all the sacrifices performed to the latter are attended with mourning and gloom.
Now Theseus, in his return from Crete, put in at Delos, and, having sacrificed to the god of the island, dedicated to the temple the image of Venus which Ariadne had given him, and danced with the young Athenians a dance that, in memory of him, they say is still preserved among the inhabitants of Delos, consisting in certain measured turnings and returnings, imitative of the windings and twistings of the labyrinth. And this dance, as Dicæarchus writes, is called among the Delians, the Crane. This he danced round the Ceratonian Altar,[2] so called from its consisting of horns taken from the left side of the head. They say also that he instituted games in Delos, where
