C^SAR. 2G5 Grecians affirm that she is that mother of Bacchus whose name is not to be uttered, and, for this reason, the women who celebrate her festival, cover the tents with vine- branches, and, in accordance with the fable, a consecrated serpent is placed by the goddess. It is not lawful for a man to be by, nor so much as in the house, whilst the rites are celebrated, but the women by themselves per- form the sacred offices, which are said to be much the same with those used in the solemnities of Orpheus. When the festival comes, the husband, who is either consul or praetor, and with him every male creature, quits the house. The wife then taking it under her care, sets it in order, and the principal ceremonies are performed during the night, the women playing together amongst them- selves as they keep watch, and music of various kinds going on. As Pompeia was at that time celebrating this feast, Clodius, who as yet had no beard, and so thought to pass undiscovered, took upon him the dress and ornaments of a singing woman, and so came thither, having the air of a young girl. Finding the doors open, he was without any stop introduced by the maid, who was in the intrigue. She presently ran to tell Pompeia, but as she was away a long time, he grew uneasy in waiting for her, and left his post and traversed the house from one room to another, still taking care to avoid the lights, till at last Aurelia's woman met him, and invited him to play with her, as the women did among themselves. He refused to comply, and she presently pulled him forward, and asked him who he was, and whence he came. Clodius told her he was waiting for Pompeia's own maid, Abra,* being in fact her own name also, and as he said so, betrayed him-
- Abra was the Greek word for Clodius said he was waiting for
the favorite waiting-maid ; and was, Pompeia's Abra, that being, also, also, this girl's own proper name, as it happened, her name.
