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of our spines, the shamble from our gaits, the squeak and snuffle from our voices, the cormorant from our table manners, before we are even physically fit subjects for any but the most indulgent scrutiny. No one who has ever been a parent but remembers how he longed for the time when his child would begin to "pose" as one who liked to have his face clean and his hair brushed. Eventually, one feels fairly sure that the child will like the part, and will keep his face clean and his hair brushed for the rest of his life, and will even add to these acquired graces daily manicure and shaving; but no analyst of human nature pretends that a well-groomed man is a sincere expression of the sub-conventional welter of instincts and emotions. He is the laborious triumph of art over nature.

All the world that is capable of ministering delight to any discriminating sense is a stage; and all the men and women, from pope to peasant, who do anything distinguished on this stage are merely actors. Why insult the bad actors by calling them hypocrites? A hypocrite is a man who has been cast for a part to which he is unsuited, and who consequently fails to identify himself with it. The sincere and successful actor is the one wise enough and fortunate enough to choose out of all the rôles open to him that which he likes the best, or those which he likes the best; and who then devotes himself with ardor to the perfection of his reles. All that he possesses of virtue and power and passion and personality—practically all of it, if he is a great