or such unruly emotions as, unchecked, may disrupt society.
Or, to take another case: I myself recently pictured, with what I thought were chaste strokes and in what I thought was a pure aesthetic mood, our jeune fille. But I could not conjecture the effect that it was destined to produce in the minds of the young, the innocent, the inexperienced: I find that Mr. H. L. Mencken speaks of this picture as 'lascivious.' What responsibility such facts impose upon the artist!
It is, furthermore, a puzzling paradox in the moral world that, as one progresses toward decency, one discovers that the number of objects which the sense of decency has to operate upon diminishes rather than multiplies, while to a person who has lost his sense of decency the universe bristles with indecent suggestion.
In recognition of these facts, jurymen who are to determine the quality of a disputable book are instructed in no scientific method, not even in a rule of thumb. No: they are instructed to conjecture whether a book is indecent by first conjecturing how it will affect young minds which are, conjecturally, open to the conjecturable influences of such a book. But jurymen and officers of the law, bold and enterprising as some of the latter are, cannot penetrate into minds to collect the evidence requisite for conviction under the law; and it is merely absurd to send them there.
